Category Archives: Why I Wrote It

Why I Wrote It: Lady of Thorns

This is the third blog post where I do a deep dive into the backstory of each of my books. Why, you may ask? Well, because the beautiful and talented Liana Brooks made the following brilliant comment: “Being an author is being in a fandom of one. The whole point of writing the book and publishing is getting more people in your fandom.” I want to get you all excited about my imaginary friends and interested in plating with them, so I’m going to explain how exactly they wound up on the page.

Lady of Thorns — moving away from my royal couple

Once I accepted the fact that my Two Thrones series was 1) established and 2) popular, I had to come up with a third book in the series. I could have thrown yet more drama at Danaë and Matthias, of course, but I couldn’t stop thinking of Lady Amelie de Clerq, the brave, stubborn Terra mage who stopped her sister Sibeal from being married to a boorish nobleman in Palace of Scoundrels. I figured I’d give her a book and see what she did with it.

This is where I get to illustrate that what you initially plot out doesn’t necessarily turn out to be what you write. I had originally decided to have Lady Amelie’s romantic partner be Prince Marcus of Illium, since they’d flirted in Palace. He was going to show up at her estate and ask for sanctuary, which would have caused all kinds of problems with both the king, the rulers of Illium, and her mother.

And then I remembered that interesting lawyer character Alain LaPorte, who was already familiar with the situation in Lierdhe. In my head, I’d already mentally cast Michelle Dockery in full Lady Mary mode as Amelie, so I was going to need an equally strong character to be her match.

When it hit me,  I started laughing so hard I knew I had to make this happen. And so Amelie wound up being wooed and won by this universe’s equivalent of Alan Shore (I mean, come on — picture Michelle Dockery and James Spader circling each other in full predator mode, sarcastic banter turned up to 11. It was brilliant). Once I had my main characters down, the story started flowing. This was also the book where I decided to begin an arc for the series where a threat is growing offscreen and four mages will need to come together and fight it. Danaë and Amelie will be two of those mages, and I’m toying with stories for the other two.

I also decided to take a closer look at Amelie’s life and motivations. At this point she’s tired of being used as a pawn in her mother’s machinations, and she’s very tired of men wanting to marry her only for her money and position. That being said, she also realizes that she does have to get married and provide heirs for the province. In her heart of hearts she wants someone who loves her for herself, and she also needs to learn how to love herself. Because Lierdhe is open-minded when it comes to sex, she decides to find someone to teach her how to be a dynamo in bed, and get in a few orgasms along the way. Alain strikes her as a good choice for the role of bedroom tutor, but neither of them expect their emotions to get in the way, muwahahahaha. In the midst of all this, Amelie also has to keep her province functioning after a drought (which brings in a whole new conflict from Maman’ past), fend off Maman’s renewed attempts to get her married off, and save her estate and the land around it from a wildfire. I am nothing if not a pain in the ass when it comes to throwing the kitchen sink at my characters.

On a personal level, writing Lady of Thorns was not only a lot of fun, it was also cathartic in a number of ways. Much like Amelie, I was the gawky older sister who didn’t feel like she was attractive or fit in anywhere, so there may have been a little bit of wish fulfillment in not only giving her a hell of a good romance, but an opportunity to really show off her Terra mage chops. As for the big wildfire scene, when I was writing Lady California was going through that really bad batch of wildfires, so I took a lot of inspiration from the amazing men and women who fought those blazes.

So that’s how Lady of Thorns came to be. Next time, I’ll talk about my venture into dystopian SF romance Degree of Resistance and the numerous enablers who came together to make that book a reality.

Why I Wrote It: Palace of Scoundrels

This is the second blog post where I do a deep dive into the backstory of each of my books. Why, you may ask? Well, because the beautiful and talented Liana Brooks made the following brilliant comment: “Being an author is being in a fandom of one. The whole point of writing the book and publishing is getting more people in your fandom.” I want to get you all excited about my imaginary friends and interested in plating with them, so I’m going to explain how exactly they wound up on the page.

Palace of Scoundrels — “What do you mean, series?”

I already posted about how I, the writer who loathed the LOTR books and didn’t enjoy fantasy in general, wound up writing a fantasy romance. To say that I was surprised by the success of Empress of Storms is an understatement — I was shocked shitless, if I’m being brutally honest.

I was even more shocked when all of those lovely, lovely people who bought Empress all started asking the same question: “So, where’s the next installment in the series?”

Buh … wha … I … series?

It was laughable, truly, because I didn’t DO fantasy. Except, oops, I did — I’d just proved that with Empress, tra la. Talk about being hoist upon one’s own petard. Worse, Empress was always meant to be a one-off, so I never really bothered to work out things like geography, politics, religion, social strata, how exactly magic works, different countries, languages, etc. — all the things you kinda have to know if you’re writing a series and want it to remain consistent.

But the more I thought about it, the more I liked the idea of continuing the story of Danaë and Matthias, because let’s face it, there was always going to be more there. They had internal disputes to deal with, threats of war, they still had to produce heirs for both countries, there was the whole issue of Luna’s parentage and the fact that she was an astoundingly powerful Aeris mage, etc. So yeah, there really was lots of stuff to work with in the twinned countries of Ypres and Hellas.

Which is how I sat down and wondered, “Okay, then — what would be the biggest problem for a pair of newlyweds whom everyone assumes don’t see each other more than twice a year?” The answer, of course, is pregnancy. According to the terms of the treaty that led to their marriage, Danaë is supposed to provide heirs for both the throne of Hellas and the throne of Ypres. Now, my happy couple have that nifty magic mirror that allows them to spend nights together and they were certainly working on the whole “Let’s beget heirs” thing, hur hur, but that didn’t change the fact that if Danaë got pregnant outside of the time she was supposedly visiting Ypres or Matthias was visiting Hellas, all kinds of political problems would follow because said magic mirror is only known to a select few.

Which is how Prince Marcus of Illium, briefly mentioned in Empress, came back to the scene. Marcus is a fourth son who knows he has no shot at the throne (and frankly doesn’t want it), so he spends his days entertaining himself by being a spymaster. My goal with Marcus was to create a clever, snarky, politically adept nobleman with a curiously rigorous moral code, even if other people didn’t see it that way. After being accused of his eldest brother’s attempted poisoning, he has to go on the run by smuggling himself and his body servant Roylus in with his grandmother’s retinue on a visit to Hellas. Et voila, we have our handsome troublemaker in Danaë’s palace (hence the title), which then opens a big ol’ can of worms — Danaë now has to deal with both Illium (which wants its wayward prince back) and the exceedingly clever Dowager Queen Atilia, who thinks that slipping Marcus into Danaë’s bed in order to produce an heir for the Ypresian throne is just the best idea ever because it gives her a hold on Danaë.

Robert James-Collier May 2014 (cropped)But that only covered matters in Hellas — I also had Ypres to deal with. Making Matthias jealous of the handsome young prince, while apropos for a romance, also seemed too easy, somehow, so I wanted to throw an additional problem in his lap. Since he’s still consolidating his power after the attempted coup by his late sister-in-law Margot, I decided to give him a big political headache in the form of internal strife between Ypresian noble families.

Now, I’m going to be bluntly honest here and admit that I mentally cast all of my characters because I’m a frustrated screenwriter, and I’d been watching Downton Abbey during this time and liked the chemistry between Robert James-Collier’s Barrow and Jessica Brown Findlay’s Sibyl Crawley during the WWI episodes. For some reason they made me think of Hades and Persephone, which led to my creation of the brooding Lord Tomas Villiers and the sunny Lady Sibeal Le Clerq (okay, maybe I just liked the idea of James-Collier being all cranky and stalking around in black leather and furs). Unlike my Greek gods, however, Tomas and Sibeal are very much in love despite the machinations of Sibeal’s mother to marry her off to a rich nobleman’s heir in order to clear a massive debt. So now I had the big problem facing Matthias — how to let the lovebirds stay together without triggering a potential civil war between three powerful families.

This is also the point where Sibeal’s older sister Amelie, a powerful Terra mage and the original bride-to-be until she told the boor where to shove it, made her appearance and begged for royal help in saving her sister from being married to an asshole. I had no idea how to resolve this until it hit me — legally, all titles in Ypres belong to the crown and are held by noble families with the crown’s permission, and a title cannot be passed to someone outside of the direct line of succession without crown approval (my world, my rules). But if Maman decided to pull an extremely subtle fast one and marry Sibeal off to a rich boor by promising that his family would inherit the Le Clerqs’ province upon Maman’s death, that would 1) run counter to Ypresian law, 2) give Matthias the wedge he needed to stop the wedding, and 3) prompt Matthias and Tomas to come up with a way to help her pay off her debt. At which point my clever lawyer Alain LaPorte made his entrance and advised the king on how exactly to pull all of this off, Amelie shows up to request a royal assist, and everyone races off to Lierdhe to stop Sibeal from having to marry the schmo.

With all the plot points in place, it was “write it like you stole it” time. Which I did, with Matthias getting his noble lovebirds married off and Danaë managing to smuggle Marcus out of her kingdom without incurring the wrath of the Illian military. She even wound up pregnant in the end and it coincided with Matthias’s visit to Hellaspont so there would be no question about paternity, all of which wrapped up the book nicely. Even better, Alain and Amelie unexpectedly set off sparks in my head (probably because I mentally cast James Spader and Michelle Dockery — as I described it to my editor, it was “Lady Mary Crawley goes head to head with Alan Shore and hijinks ensue). I had to put them to one side while I finished Palace of Scoundrels, but when it came time to write Book Three in the series they came roaring back and demanded that I tell their story.

To find out how that happened, stay tuned for my next “Why I Wrote It” post.

Why I Wrote It: Empress of Storms

Hey folks! I’m starting a new weekly post here on the blog where I’m going to do a deep dive into the backstory of each of my books. Why, you may ask? Well, because the beautiful and talented Liana Brooks made the following brilliant comment: “Being an author is being in a fandom of one. The whole point of writing the book and publishing is getting more people in your fandom.” I want to get you all excited about my imaginary friends and interested in plating with them, so I’m going to explain how exactly they wound up on the page.

Empress of Storms — The Book That Was Written On a Bet

Set the Wayback Machine for September 2015, Sherman. That was when I decided to write Empress of Storms after a certain michigas in Romancelandia caused a writer to throw out a challenge on social media for authors to write an 80,000 word novel, get it edited, have a professional cover made for it, get it formatted, and put it up for sale in six months. For reasons I still don’t understand, I replied, “I’ll do it in six weeks.”

I promptly realized that I’d hoisted myself on my own petard because writing this book meant that I would have to come up with a plot that wasn’t associated with any of my Evernight Publishing series, as it had to be independently published. Frantically rummaging through my idea folder for inspiration, I found a 3,000 word story fragment I’d written after watching Lord of the Rings: The Two Towers back in 2002. Why it had remained a fragment was threefold: I don’t write high fantasy, I certainly didn’t read it, and I wasn’t aware at the time that there was such a thing as fantasy romance. The only reason why I’d written this snippet in the first place was because I thought Bernard Hill was hot as King Theoden, which had prompted an amusing little fantasy about a widowed king who had to wind up marrying and bedding a much younger queen for, ahem, Reasons (hey, one of the nice things about being a romance writer is that you can monetize your celebrity crushes).

Anyway, the fragment had been languishing in my idea folder since 2002. Now, however, I had a goal and a hard deadline. Better yet, I knew all about fantasy romance and could turn this into a decent plot. Thus began one of the most insane six weeks of my life, where I was running on multiple tracks in order to win the bet. On the writing track, I freely admit that I dug out an old elemental-based magic system from my college D&D days, draped fantasy drag over Belgium and Greeze, and threw caution to the wind as I nailed my ass to a chair every single day until I made my word quota of 2,667 words minimum. I’d calculated that I would have 80K at the end of four weeks plus the original 3K story kernel (this, by the way, was the baptism by fire that taught me how to write fast). Despite coming down with a sinus infection, I managed to finish the book within time limits.

On the editing track, well, you know how veteran writers tell you to put a newly finished novel away and not even look at it for a month so that you can come back to it with a fresh, critical eye for editing? Yeah, didn’t have time for that. So I did a super fast second edit and recruited the amazing Michelle Muenzler for actual editing while the sainted Ceit Kelly, Peter White, Lisa Trainor-diNorcia, and Cecilia Tan acted as betas. Michelle has an eagle eye and is ruthless when it comes to editing, which is exactly what I needed. She not only did an amazing job but got the edited MS back to me within a week, as did my beloved betas. That last week, I frantically added in their edits and recommendations, put the MS through a spelling edit, a weasel word edit, and a final polish. As you can guess, I didn’t sleep much during that time.

On the cover art track, I was extremely lucky that the lovely and talented Jay Aheer had some spare time and could fit me into her schedule. She emailed me after I asked her to do the cover and said, “I know you wanted Danaë and Matthias on the cover, but I found this absolutely amazing picture that I’d like to use instead.” She sent me the picture — after I stopped squeeing, I emailed her and said go for it. After some tweaking, she sent me the final cover file plus promotional materials, and I had never felt more blessed.

On the production track, well, this is where I lost time to that damned sinus infection. A few days before the deadline I literally couldn’t sit up for more than a few minutes at a time and finally had to go begging for antibiotics. Luckily for me, my doctor was totally booked so we wound up going to a fancy new urgent care place where the introduced me to the concept of a steroid shot in addition to the antibiotics. Hoo boy. I don’t know exactly what was in that syringe other than it was a two part formula where the first part would kick in immediately and the second part would be time-release over the next twelve hours, but I felt GREAT. Went home and spent the next twelve hours formatting the final version of MS in Scrivener, then generated the files that would form my very first independently published novel.

On November 5th, I uploaded Empress to Amazon and Smashwords, then got stuck into doing promo for the book. To be honest I didn’t expect much — it was an indie publication, I didn’t have a house behind me helping with promotion, it was fantasy romance, God help me, and I didn’t DO fantasy romance, plus it was also my first MF romance so I couldn’t even count on my MM fans buying the book. I figured I won the bet — if I made enough money back to pay for the cover art, that would be icing on the cake.

And the first two months were indeed a bit blah. At that point we were having a bit of a financial crisis on the home front so I didn’t really pay much attention to my sales until January, when I sold 466 copies of Empress on Amazon. The next month, I sold 884 copies. To say I was boggled is an understatement. And of course that’s when people started asking, “So, where’s the next book in the series coming out?”

Series? Cue Nicola’s unintelligible gargling as she tried to come out with a polite way to say, “This is a one-off, I’m not writing a sequel, it was written on a BET, are you crazy?” But then I sold 1,126 copies the next month and thought, “…ya know, I’m a creative person. I can do more with this world.” Why, yes, the money may have had something to do with it — I have bills to pay, after all, and the beloved was unemployed at the time. But it also dawned on me that if enough people liked this book enough to buy it, they might want to read about the continuing adventures of Danaë and Matthias. Plus I thought it would be fun and kinda interesting to create a fantasy world that wasn’t a direct riff on Tolkien and included LGBT+ and POC characters.

Oh, I was a sweet summer child, wasn’t I? But that story will have to wait for the next installment when I talk about Palace of Scoundrels and how I apparently walked right past Rory McCann in a hotel hallway in San Antonio (I could kick myself now, I really could).