Category Archives: Science Fiction
Son of a…
There I was, innocently moving some music that I’d burned from CDs years ago onto my desktop and adding covers when I accidentally clicked on “Smooth Operator” by Sade.
By now everyone should know what this song is about, but years ago it prompted an idea for a contemporary romance where a newly elected female CEO of an up-and-coming tech company gets talked into attending a high-class kinky auction and wins the services of a handsome older gigolo, only to find out to her shock that she already knows him (and had a crush on him in her teenage years). She doesn’t want to be CEO—she’s on the spectrum and served as the company’s CTO while her older brother was the CEO until his suspicious death. She hires the gigolo to act as her platonic companion and social interface while she sets out to find who killed her brother, which boggles him but he’s aging out of the job and is happy to have one last gig to finish off his nest egg. And then hijinks occur, as they do.
It was a cool plot and I had a lot of it worked out in my head, but it was a contemporary romance and I didn’t really have time to do a Natasha M. Stark story so into the mental story trunk it went. And then I played “Smooth Operator” a few minutes ago and the story came roaring back, only this time it’s a near-future SF romance. Goddamnit.
Thing is, the MMC isn’t a cyborg or an alien. He comes from a rich family that owns mines out in the asteroid belt but loses all his money when his father dies and it turns out dear old Dad was broke, which is why the MMC chose to go into high-class prostitution (and has some enhancements that allow him to act as deadly bodyguard as well as lover). And SF romance these days needs the MMC to be some big, hulking male who is somehow “other,” otherwise it doesn’t sell. And I don’t have time to do another book right now.
Grah. Why you do this to me, brain?
Finish one project, move on to the next
So Shadow of the Swan is out there on all online markets, earning money and reviews, and I’m happy with that (as of this moment I’ve sold 143 copies on Amazon). I’ve even uploaded a free short story titled “A Gentle Fall of Show” about Henry and Louisa’s first Christmas at Bookfunnel (all subscribers to my newsletter got the link; if you want to subscribe, click here, enter your email address, and you can download “Snow” in MOBI, EPUB, or PDF format).
So what’s next, Nic? I’m glad you asked.
Since it looks like we’re going to be stuck in COVIDland for the foreseeable future, I am setting up some structure for myself for the rest of the year. And I know I’ve said that before, but this time I’m doing it partially for income and partially because I really need it to stay sane.
So — today, I am wrapping up the re-edit of Deep Water and uploading it to Amazon, B&N, et al. Tomorrow I go back to work on King of Blades (Two Thrones 4) with a goal of finishing it by Monday, October 5. If I do 3,265 words a day, I’ll make that easily. Moreover, I KNOW I can write that many words a day easily (I knew it before, but 2019 kinda shook my faith in myself). Even better, now that I’ve been testing my lavaliere mike, Scrivener’s dictation function, and Otter.ai (oh, Holy God, dictation is a fricking godsend to anyone who needs to write fast and can handle saying stuff out loud), I should be able to crank out that amount within two hours, then spend another couple of hours editing it into shape. The rest of the work hours will be taken up with promo, cover design, et al, and outlining the rest of the books I’ll be writing this year.
On October 6, I pivot from King and let it cool for a week while I fire up Cross Current (Olympic Cove 4). People have been waiting VERY patiently for this book for about five years, so now that I have the rights back for all of the Olympic Cove books I want to reward them for their patience. The goal is to finish Current on November 2. On October 12, in parallel with my work on Cross Current, I will start editing King with a goal of getting it out to my editor and the betas by October 16. After I incorporate their changes and do the final polishing stages, I’ll publish King on Tuesday, October 27.
On November 3 I let the completed Cross Current rest for a week while I go back to work on Uncertainty Principle (and by then I’ll actually have an outline, please God — this book has been frustrating me for the better part of two years) with a goal of finishing it on December 4. Once again, I’ll edit Cross Current in parallel with writing Uncertainty, with a goal of publishing Cross Current on November 24. Uncertainty Principle will be published on December 22, and I am taking the rest of December off to let my brain cool down and get in some well-deserved relaxation by that point.
IF I HAVE TIME AND INTESTINAL FORTITUDE, I will work on The Crimson and the Black in December once Uncertainty Principle is finished. I am not going to promise anything at this point because, quite frankly, I may need to collapse at that point. Much will hinge on how well the dictation goes, how quickly I can edit, and whether or not I still have extra processor cycles available. If I decide to put it off until 2021, it will be the first book of that year.
I’m not going to post my planned schedule for 2021 yet because it’s still kind of soft and I want to get some details firmed up. But my goal is to release at least four full-length books that year (I’m telling you right off the bat, two of them will be the final books in the Olympic Cove series), along with a handful of novellas and free short stories.
And yeah, I know it looks like I’ve bitten off far more than I can chew, but King, Current, and Uncertainty are all partials so it’s not like I’m starting from square one on any of them. If I can get all of them done and out the door, I will have cleared my backlog and can start 2021 with a clean conscience. Let’s see if I can get this done.
So, this is what the rest of 2020 looks like for me
The contract job is currently at a halt due to lack of work (hardly surprising) for at least May and possibly longer (seeing as a significant amount of Texans completely lost their shit and started crowding into public spaces on Friday during the state’s “partial” reopening, I’m bracing myself for a large spike in new COVID cases here in two weeks). But Ramón is still working, and I’ve spent the last eight months paying off almost all of our debt, so we should be able to weather it financially. And frankly, I need a break after the non-stop pace of the last four months.
What this also means, however, is that I can — ta da — go back to being a full-time writer for the foreseeable future! I sat down and worked out the following schedule (which may have to be adjusted if the contract job restarts at any point):
- May: Finish Shadow of the Swan and Shifter Woods: Growl (Esposito County Shifters 4).
- June: Let SotS cool, finish King of Blades (Two Thrones 4), edit and publish SW:G.
- July: Let KoB cool, edit and publish SofS, finish Uncertainty Principle (Pacifica Rising 2).
- August: Let UP cool, edit and publish KoB.
- September: Edit and publish UP.
That would give me three 80+K novels and one novella for 2020, which is not bad. And yes, I know my timeline seems insanely short, but all those books are partially finished (21K on SofS, 4K on KoB, and 5K on UP), so it won’t take as long as it would do to finish a brand new book. Hell, SotS is supposed to be 80K and I can finish the remaining 57K in three weeks if I push.
But wait, I have stretch goals!
- September: Edit Deep Water (Olympic Cove 3) for re-release at the end of December, finish One Sweet Christmas (novella) for holiday sales.
- October: Finish Cross Current (Olympic Cove 4), edit and publish OSC.
- November: Let CC cool, finish Windrider and the Deuce (Two Thrones Novella 2), release all four Shifter Woods novellas as a box set.
- December: Go on a fucking cruise and let my brain relax, edit CC and WatD, release DW once I get the rights back, release CC and WatD a week later.
Which would give me four new novels (SotS, KoB, UP, CC), one re-released novel (DW), three novellas (SW:G, OSC, WatD), and a box set (Shifter Woods) for 2020. Kinda challenging, but I also have to make up for the dumpster fire that was 2019 so I may as well go for it.
So it’s Thursday and TO MY MUSE didn’t make the RITA finals
And I didn’t expect it to, if I’m being bluntly honest. But I did get a call from Houston this morning and my heart leapt into my throat until I saw the words SCAM LIKELY on the screen. Damn you for getting my hopes up, scammers. Congratulations to all the RITA and Golden Heart finalists, and best of luck!
Anyway, I’ve been quiet here lately and I’m sorry about that. It’s been a combination of problematic health due to allergies, trying to get various projects done and out the door, trying to get my office set up so that I can write up there (long story short — I prefer to write on my laptop, but there’s no comfortable place to do that in my office. After ten years of living in this house I have finally rectified that by consolidating all the printers and computer equipment onto one shelving unit and moving my wing recliner into my office), and general ennui. Oh, also, the climate is going to hell, US politics are a dumpster fire, UK politics aren’t much better, and I wish my ovaries would just die already.
So there’s that. But spring is officially here, I’m close to finishing the massive rewrite of Grading the Curve (oh, man, that needed work and way more backstory) and getting that re-released, and then I can get back to work on King of Blades, Uncertainty Principle, and the still untitled romcom (I’m trying to come up with an amusing marriage-related pun, but nothing has worked so far). If that wasn’t enoigh to keep me busy, I’ll also be signing books at the Home Run Author Event this Saturday in the Jack Daniels Club in Globe Life Park in Arlington, TX. VIP tickets are already sold out, but tickets will still be available at the door for $20 and parking is free.
Also, I’ve been busy creating graphics for the various book series, which I’m making available on mugs, t-shirts, and stickers because 1) it’s cool and 2) everyone needs a Trickster Tech t-shirt. So in addition to the Olympic Cove merch I now have the Trickster Technologies company logo/tag line, the Mayhew Plants and Nursery company logo/tag line, and I have an idea for a very cool graphic for the ship/AI from Two to Tango (which will be renamed Stealing Dmitri when I get the rights back this summer). What can I say — it’s fun for me to come up with logos for imaginary companies.
And now, if you’ll excuse me, I need to get back to work, tra la…
Nicola Cameron Writes 